Kit Harington Already Died Once
He’s the face of television’s most obsessed-over show. His hair alone has more fans than most actors. But as Game of Thrones enters its second-to-last season, Harington faces a dilemma: To enter the next phase of his career, must he leave Jon Snow behind?
Kit Harington has bobbleheads on the brain. “I have to approve a new one every day,” he says. “I’m not joking. I’m asked, ‘Are you happy with how this looks?’ I’m like, ‘It’s a fucking bobblehead—what do you want me to say?’ ”
To be fair to the product designers, capturing in plastic the hirsute attributes that have become the obsession of Harington’s many millions of fans probably requires a level of attention reserved for conservators at the Louvre. And soon they’ll no longer have a live model: Harington is counting down the days until he can get a proper shave and a haircut. The time, as it happens, has nearly come: He has one last shoot day for the seventh and penultimate season of Game of Thrones, in Belfast, Northern Ireland. For now, the scruffy face of one of pop culture’s defining franchises is sitting across from me in a back booth at a restaurant in New York’s East Village. He arrived smelling faintly of a freshly smoked cigarette and wearing celebrity camouflage: thick-frame glasses and a baseball cap, which is doing its meager best to contain his unruly jet-black mop.
The hair will soon disappear, along with, in 2018, the show that made Harington famous. But what will live on is the outsized, tormented spirit of Jon Snow, the frostbitten hero he’s played for the better part of a decade: the brooding bastard prince who’s lost everyone closest to him; who was stabbed to death at the end of season five and then resurrected in season six; and who will confront the possible annihilation of every living thing in season seven.
Harington understands that his likeness will be mass-produced and hawked while the suits still have the chance to make a buck. But time is running out. “Without saying whether I make it to the last season,” he says, despite widespread reports that HBO extended his contract at $1.1 million per episode through the final thirteen episodes—seven this season, six in the next—”we’ve been trying to say goodbye to the show this year.” That means saying goodbye to Jon Snow, too.
HBO finally unveiled the poster for Game of Thrones season 7 today! The key art for the new season leaves no doubt that petty family wars have been cast aside; there is only the Great War now, with the Night King staring us all down as winter arrives.
In addition to the regular poster, HBO has created an unsettling moving version of the poster:
— Game Of Thrones (@GameOfThrones) 23 de maio de 2017
Source: Watchers on the Wall
Kit Harington, Nikolaj Coster-Waldau reveal a big difference this year on GoT
Nikolaj Coster-Waldau was shocked when he read the Game of Thrones season 7 scripts: “I’m like, ‘Already? Now?! What?!’”
The Jaime Lannister actor (and other members of the HBO hit’s cast) say fans should similarly brace themselves: The upcoming season is an intense and fast ride. The pace of the series, they say, has noticeably ramped up from previous years. In fact, season 7 doesn’t play quite like any other season of the show.
“I feel like I’d been lulled into a different pace,” Coster-Waldau says. “Everything happened quicker than I’m used to … a lot of things that normally take a season now take one episode.”
Agrees Jon Snow actor Kit Harington: “This season is really different than any other season because it’s accelerating toward the end, a lot of stuff collides and happens much much quicker than you’re used to seeing on Thrones … it’s so different than what everybody is used to. It’s quite exciting.”
Now, fans are probably thinking the fast pace is because there are fewer episodes — seven this year instead of the customary 10 (and then there’s an eighth-and-final season still to come). But that’s actually not the case, the show’s writers say. “Things are moving faster because in the world of these characters the war that they’ve been waiting for is upon them,” showrunner Dan Weiss explains. “The conflicts that have been building the past six years are upon them and those facts give them a sense of urgency that makes [the characters] move faster.”
Put another way: Between Daenerys and her army sailing toward Westeros, the Night King and his army of the dead descending from the North and the Starks aggressively retaking Winterfell … there are multiple storm-of-swords battle fronts all coming together at the same time.
“For a long time we’ve been talking about ‘the wars to come,’” showrunner David Benioff says. “Well, that war is pretty much here. So it’s really about trying to find a way to make the storytelling work without feeling like we’re rushing it — you still want to give characters their due, and pretty much all the characters that are now left are all important characters. Even the ones who might have started out as relatively minor characters have become significant in their own right.”
Adds co-executive producer Bryan Cogman: “There are White Walkers and dragons and once they start to come together the story has to go where it goes.”
We may not have a trailer just yet, but last month we did get fifteen promotional pictures to tide us over in the meanwhile. And now another batch of them comes… And this one includes a screen-cap from the show itself, with special effects included!
If you want to look at the rest of the photos, go check EW, as per their request.
The photos from the set are nice and all, of course, especially Arya, who doesn’t appear to be in the south. She could still be in the Riverlands, or perhaps in the North. Nevertheless, there is nothing quite like that fully-realized image of Daenerys mounted on Drogon, who seems to be many times larger than last we saw him. And they’re in the middle of a fiery battlefield! There’s less than two months for the return of Game of Thrones, and the hype machine is now working in full force!
Frequently, the most unexpected correspondences can lead us onto new paths. Xavier Dolan, the French-Canadian director of such films as Mommy, Laurence Anyways and Tom at the Farm, is exploring such a correspondence with his first English-language feature, The Death and Life of John F. Donovan. It was also an unexpected chain of messages with Dolan that put Collider on a plane to London to view a few days of intense emotional scenes lensed by Dolan in the English countryside and London alleyways. I got a rare chance as a journalist to sit next to an Award-winning director as he directed Award-winning actors and view, firsthand, his level of precision in framing both the picture and the emotional reactions of Natalie Portman and Jacob Tremblay.
We’ll have much more about the production of the film, including a lengthy conversation with Dolan and members of the cast, in due time. But at this current moment we’re excited to debut the first images of scenes and behind-the-scenes pictures from the film and give some extra context to the characters that the actors are playing.
While the film boasts a starry ensemble, few share scenes together. This made it easier to get talent when they were needed, but it also has made for a lengthy production process in multiple locations, spanning a year and a half shoot. Yet, that process also allowed for Dolan to take breaks and edit the film in between the next shoot. The official synopsis for the film is as follows: A decade after the death of an American TV star, a young actor reminisces the written correspondence he once shared with the former, as well as the impact those letters had on both their lives.
Check out this first look at Kit Harington starring in BBC drama Gunpowder.
He plays Robert Catesby, the 30 year-old Warwickshire gentleman who was the driving force behind the gunpowder plot, alongside Peter Mullan as Father Garnet, Mark Gatiss as the Spymaster Robert Cecil and Liv Tyler as Ann Vaux.
It is produced for BBC One by Kudos in association with Thriker Films.
Source: Drama Quarterly
HBO is doubling down — no, quadrupling down — on its epic quest to replace Game of Thrones.
The pay TV network is determined to find a way to continue the most popular series in the company’s history and has taken the highly unusual step of developing four different ideas from different writers. The move represents a potentially massive expansion of the popular fantasy universe created by author George R.R. Martin. If greenlit, the eventual show or shows would also mark the first time HBO has ever made a follow-up series to one of its hits.
Most of the assigned writers have experience writing major theatrical films, and Martin is personally involved in two of the projects. The show ideas are from Max Borenstein (Kong: Skull Island, Fox’s Minority Report); Jane Goldman (Kingsman: The Secret Service, X-Men: First Class) along with Martin; Brian Helgeland (A Knight’s Tale, L.A. Confidential); and Carly Wray (Mad Men) with Martin.
HBO isn’t revealing any story details at this time other than that the shows “explore different time periods of George R. R. Martin’s vast and rich universe.”
Game of Thrones showrunners David Benioff and Dan Weiss have previously said they do not plan to be actively involved in any follow-up projects, but it turns out they will be attached to the new shows as executive producers. “Weiss and Benioff continue to work on finishing up the seventh season and are already in the midst of writing and preparing for the eighth and final season,” HBO said in a statement. “We have kept them up to date on our plans and they will be attached, along with George R. R. Martin, as executive producers on all projects. We will support them as they take a much-deserved break from writing about Westeros once the final season is complete.”
The prequel or spinoff development battle royale is a bit like how Disney handles their Marvel and Star Wars brands rather than how a TV network tends to deal with a retiring series (Thrones is expected to conclude with its eighth-and-final season next year.) But GoT is no ordinary show — it’s an international blockbuster that delivers major revenue for HBO via subscriptions (last season averaged 23.3 million viewers in the U.S. alone), home video and merchandise licensing. Plus, there’s all those Emmys to consider (GoT set records for the most Emmys ever won in the prime-time ceremony).
How much of HBO’s Thrones development slate will actually end up on the screen is unknown. It’s possible one or more titles could be produced as a miniseries instead of a regular series. We’re told a variety of different combinations and options are on the table depending on how the scripts look upon completion. But the end goal is to find at least one title that can successfully carry the flame of the GoT franchise. “There is no set timetable for these projects,” HBO said. “We’ll take as much or as little time as the writers need and, as with all our development, we will evaluate what we have when the scripts are in.”
Source: Entertainment Weekly
HBO released today 15 promotional images from season 7, you can view all of them on Watchers on the Wall.